Programs & Events

Theater | King William Players

Upcoming Performances

The King William Players, St. John’s theater group, will be putting on Wilbur’s translation of Moliere’s “The Misanthrope” this spring. We will be holding auditions for the “The Misanthrope” on September 19th and 20th. Both cold readings and prepared readings are welcome. Keep a look out for future emails with more details about times, location, and which scenes to prepare if you are interested.

About King William Players

King William Players, St. John's College's theater troupe, is one of the college’s most enduring clubs. Like all St. John’s clubs, KWP is student-run. This allows the club to take on a diverse range of theatrical genres which reflect the changing interests of the Polity. Recent productions have ranged from classical selections, such as The EumenidesMacbeth, and Tartuffe, to more modern works, including Duck VariationsWho’s Afraid of Virginia Woolf? and Urinetown the Musical. In addition to performing, student thespians are also welcome to write and direct plays. For example, KWP students wrote, directed, and performed the play, Too Much Light Makes the Baby Go Blind, as well as the one-act musical, Red. Through KWP, students with a variety of interests have the opportunity to foster and hone their talents.

Unless otherwise noted, all plays take place in the Francis Scott Key Auditorium and are free and open to the public. The King William Players, the St. John’s student theater troupe, presents two performances each semester.

Bringing Great Works to Life

Gabriela Montequin (A15), 2013-2014 archon for the King William Players, talks with Paul Boonparlit (A14) about her plans for this year’s theater season at the Annapolis campus and the value of performing Program works. The King William Players will perform King Lear on April 25 at 8 p.m. in the Francis Scott Key Auditorium.

St. John's College: What’s new this year for the King William Players?
Gabriela Montequin: One of the plays that we are doing is written by a current student, Nino Benashvili (A16), which is something we haven’t done in a while. A Door Made of Frosted Glass takes place in 2008 and is a coming-of-age story about a young man in the country of Georgia, where [Ms. Benashvili] is from.

Another upcoming production is Shakespeare's King Lear. Students are incredibly excited about this for many reasons. We started this production in June 2013 and will continue into April 2014, so we will have worked on this piece longer than any other production. We’re planning to give [the play] a slightly more contemporary feel, and casting will be open to students as well as tutors. King Lear will open on April 25 at 8 p.m. in the Francis Scott Key Auditorium.

SJC: How does theater enhance a liberal arts education?
GM: I wrote my freshman essay on Aristophanes’ Clouds, and I said in my oral that it’s funny that we write about the play from the text, which isn’t being performed. There’s a reason that [the work] is a play. The motion and the chemistry between the characters is something that you can’t just read from a book. When you’re [performing] on stage you live [the work]. You have to connect what you’re reading and what you’re thinking to the actual actions. [With the King William Players] I like to direct and act in plays that are from the Program to see a side of that work that you would not normally experience in seminar.

SJC: How do you choose an interpretation or perspective for how you want a play to be performed?
GM: That’s hard because like all art everything is subjective. There’s going to be one director that comes out ofKing Lear and says “King Lear has to be like this” or a director or an actor that says “This is what I see” when discussing stage direction. As in seminar, when we’re struggling with what’s actually motivating the person or what is happening, I think it is the same way when [doing] a play; except it’s even more drastic because people are really passionate about conveying what they see.

SJC: How can your experience with KWP help prepare you for life after St. John’s?
GM: I grew up acting in plays, and now I want to see how I can make them better. Theater is something that I really want to do; however, I might go into something [career-wise] that involves management, which would be a different kind of fit. One of the reasons that I came to St. John’s was because the college offers exploration into great works, and inspection into oneself.


Hannah Edwards (A15) and Robert George (A15) on stage during the dress rehearsal of the King William Players' production of Tom Stoppard's "Arcadia." The performances were held in the Francis Scott Key Auditorium on April 24 and 25 at 8 p.m.